Unico nella serie. Progettare la casualità nel processo di stampa How can the failure be included in the creation process? The thesis investigates the value of errors and unpredictability in the printing process. Through printing tools, the process becomes part of the artifact that is characterized by the qualities of the means of production. The User manual — Deskjet 2510 inkjet printer, is the result of this investigation. Through five actions of tampering with the printer and customizing the outputs, the standards that define printing, such as reproduction, resolution, and the CMYK colors, were questioned.
Thesis Project at ISIA Urbino, MA Communication and Design for Publishing, 2019. Coordinator: Silvia Sfligiotti, advisor: Claude Marzotto Caotorta
PAC Padiglione d'Arte Contemporanea The visual identity for PAC “the public space for contemporary art in Milan”, was renewed in 2018 by studio òbelo, by providing the museum with a modular system based on movable layers of text, images, and color. Each event is characterized by a distinctive color, running through posters, catalogs, exhibition guides, printed ephemera, museum signage, and merchandising.
Project ongoing since 2018, art direction studio òbelo.
Marbled paper Each print designed with this method is a unique monotype. In order to obtain different patterns, a very precise set of rules must be followed. The second edition of the marbled paper was made with expired ink: the ink margins broke when it came into contact with water.
Prints realized during the Workshop Print Preview VII: EBRU, organized by Clàudia Queirós at FBAUP - Faculdade de Belas Artes da Universidade do Porto, PT in 2016.
SIGNS. Grafica Italiana Contemporanea SIGNS means mark, action, and movement that conveys information and means something. Hence the idea of making signs of the design process, which interact with the different layouts and reveal the exhibition logo. SIGNS is also the story of the current panorama of Italian graphics, masters, and new generations of designers in dialogue, represented by the different layers and colors of identity.
Curated by Francesco Dondina, produced by h+. The exhibition was part of the Milano Graphic Festival MGF, and was held at BASE Milano.
Fūror This book messes up the museum's structures by subtracting the elements from their context. Through the indexing of the photographs taken by Luca Capuano, the provincial museums and their collections, are precise mapping. At the same time, the fluid photographic sequence and the absence of categorization, make the book an instrument for the free association of concepts.
Project realized in 2018 w/ Vito Battista, Nicolò Oriani, Matteo Palù, and Valeria Pugliese, with the supervisor of Mauro Bubbico at ISIA MA Communication and Design for Publishing, Urbino.
Contact
Get in touch to start a project together
hello@aliceguarnieri.eu
Instagram
About
Graphic designer based in Milan, Italy. My work includes graphics, identity, book and editorial design, with a focus on research and experimentation playing with the possibilities of printing.
Exhibitions
2022.1
Il mestiere di grafico – oggi
Triennale, Milan, IT
2020.10
Torino Graphic Days, Transitions
Toolbox Coworking, Turin, IT
2018.11
WE AIAP | ABC Aiap Book Community
SpazioMIL, Sesto San Giovanni, IT
2018.10
Index 2018
Museo Nazionale della Scienza e della Tecnologia, Milan, IT
2018.10
Torino Graphic Days
Turin, IT
2018.6
ISIA Parade
DATA, Urbino, IT
2018.6
Collezione 200
Fermignano, IT
2017.7
Cluster
Collegio Aquilone, Urbino, IT
Featured in
ADI Design Index 2018
Targa giovani
Workshop
2022.4
Ci vivo!
Biblioteca civica, Cologno Monzese, Milan, IT
2021.2
La collezione di immagini. Riuso / azione / programma
IED Torino, Illustrazione, Turin, IT
Workshop w/ Alice Guarnieri, Claude Marzotto, Maia Sambonet
2018.10
The Big Draw—ABC Stamperia, Atelier d’Artista
Castello Sforzesco, Milan, IT
Curated by Claude Marzotto e Maia Sambonet
photo credits: Luca Vegetti, Claudia Capelli
©2022 P.IVA/VAT N. 34729374
Unico nella serie. Progettare la casualità nel processo di stampa How can the failure be included in the creation process? The thesis investigates the value of errors and unpredictability in the printing process. Through printing tools, the process becomes part of the artifact that is characterized by the qualities of the means of production. The User manual — Deskjet 2510 inkjet printer, is the result of this investigation. Through five actions of tampering with the printer and customizing the outputs, the standards that define printing, such as reproduction, resolution, and the CMYK colors, were questioned.
Thesis Project at ISIA Urbino, MA Communication and Design for Publishing, 2019. Coordinator: Silvia Sfligiotti, advisor: Claude Marzotto Caotorta
PAC Padiglione d'Arte Contemporanea The visual identity for PAC “the public space for contemporary art in Milan”, was renewed in 2018 by studio òbelo, by providing the museum with a modular system based on movable layers of text, images, and color. Each event is characterized by a distinctive color, running through posters, catalogs, exhibition guides, printed ephemera, museum signage, and merchandising.
Project ongoing since 2018, art direction studio òbelo.
Marbled paper Each print designed with this method is a unique monotype. In order to obtain different patterns, a very precise set of rules must be followed. The second edition of the marbled paper was made with expired ink: the ink margins broke when it came into contact with water.
Prints realized during the Workshop Print Preview VII: EBRU, organized by Clàudia Queirós at FBAUP - Faculdade de Belas Artes da Universidade do Porto, PT in 2016.
SIGNS. Grafica Italiana Contemporanea SIGNS means mark, action, and movement that conveys information and means something. Hence the idea of making signs of the design process, which interact with the different layouts and reveal the exhibition logo. SIGNS is also the story of the current panorama of Italian graphics, masters, and new generations of designers in dialogue, represented by the different layers and colors of identity.
Curated by Francesco Dondina, produced by h+. The exhibition was part of the Milano Graphic Festival MGF, and was held at BASE Milano.
Fūror This book messes up the museum's structures by subtracting the elements from their context. Through the indexing of the photographs taken by Luca Capuano, the provincial museums and their collections, are precise mapping. At the same time, the fluid photographic sequence and the absence of categorization, make the book an instrument for the free association of concepts.
Project realized in 2018 w/ Vito Battista, Nicolò Oriani, Matteo Palù, and Valeria Pugliese, with the supervisor of Mauro Bubbico at ISIA MA Communication and Design for Publishing, Urbino.
Contact
Get in touch to start a project together
hello@aliceguarnieri.eu
Instagram
About
Graphic designer based in Milan, Italy. My work includes graphics, identity, book and editorial design, with a focus on research and experimentation playing with the possibilities of printing.
Exhibitions
2022.1
Il mestiere di grafico – oggi
Triennale, Milan, IT
2020.10
Torino Graphic Days, Transitions
Toolbox Coworking, Turin, IT
2018.11
WE AIAP | ABC Aiap Book Community
SpazioMIL, Sesto San Giovanni, IT
2018.10
Index 2018
Museo Nazionale della Scienza e della Tecnologia, Milan, IT
2018.10
Torino Graphic Days
Turin, IT
2018.6
ISIA Parade
DATA, Urbino, IT
2018.6
Collezione 200
Fermignano, IT
2017.7
Cluster
Collegio Aquilone, Urbino, IT
Featured in
ADI Design Index 2018
Targa giovani
Workshop
2022.4
Ci vivo!
Biblioteca civica, Cologno Monzese, Milan, IT
2021.2
La collezione di immagini. Riuso / azione / programma
IED Torino, Illustrazione, Turin, IT
Workshop w/ Alice Guarnieri, Claude Marzotto, Maia Sambonet
2018.10
The Big Draw—ABC Stamperia, Atelier d’Artista
Castello Sforzesco, Milan, IT
Curated by Claude Marzotto e Maia Sambonet
photo credits: Luca Vegetti, Claudia Capelli
©2022 P.IVA/VAT N. 34729374