Alice Guarnieri, graphic designer
Alice Guarnieri, graphic designer
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Frolicking with the Guys

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Lorenzo Boero and Alice Guarnieri designed the labels in collaboration with Ascend Beyond and Noia magazine, showcased at Fondazione Sozzani. The labels capture the essence of aimless strolls through nature, where one is inspired by serendipitous elements encountered along the way. A wanderlust free from the constraints of time and productivity, inviting to embrace the unexpected.

 

→ Milan, 2023

Photo Alessio Keilty

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SIGNS. Grafica Italiana Contemporanea

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SIGNS means mark, action, and movement that conveys information and means something. Hence the idea of making signs of the design process, which interact with the different layouts and reveal the exhibition logo. SIGNS is also the story of the current panorama of Italian graphics, masters, and new generations of designers in dialogue, represented by the different layers and colors of identity.

 

→ Milan, 2022

Curated by Francesco Dondina, produced by h+. The exhibition was part of the Milano Graphic Festival MGF, and was held at BASE Milano.

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marinonibooks

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Web design for marinonibooks, an independent publisher specialising in picture books.


→ Milan, 2020 – ongoing
Art direction studio òbelo, web design Alice Guarnieri

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ItaliaSquisita

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Restyling of Italiasquisita provides the Italian haute cuisine magazine and books with a fresh yet classic design, addressing a wide audience from 3-star chefs to gourmets and food lovers. To create a contrast between the institutional and the contemporary soul of the publishing house, two typefaces are used, while the color palette changes from time to time according to the photograph of the chef's dishes.


→ Milan, 2021 – ongoing

Published by Vertical, art direction by studio òbelo.

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PAC Padiglione d'Arte Contemporanea

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The visual identity for PAC “the public space for contemporary art in Milan”, was renewed in 2018 by studio òbelo, by providing the museum with a modular system based on movable layers of text, images, and color. Each event is characterized by a distinctive color, running through posters, catalogs, exhibition guides, printed ephemera, museum signage, and merchandising.

 

→ Milan, 2018 – ongoing

Art direction studio òbelo

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Il Marchese di Carabas

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Marchese di Carabas is a brand crafting handmade soaps using plant-derived ingredients. Each soap serves as an invitation to embark on a journey to new destinations, while every box doubles as a postcard from far-off lands. Our commitment to sustainability is reflected in our entirely paper-based packaging, eliminating plastic waste.

 

→ Milan, 2023

Art direction Lorenzo Boero & Alice Guarnieri, still life Luca Vegetti

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Archivio Magazine

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The fifth, new issue marks a new beginning for Archivio, with a new look, new editorial board, and new format to reflect the change in structure, objective, and perspective. The magazine was created with the objective of expanding the frontiers of content creation from archival resources, building on the idea that the life cycle of archives does not end with their inventory, digitalization, and reorganization, but rather it is at that point that they can take on a new lease of life, becoming something vital, of endless potential.

 

→ Turin, 2020–2023 

Published by PromemoriaGroup. Editor: Valerio Millefoglie, Editorial Consultant: Daniela Hamaui, Art direction: studio obelo + Alice Guarnieri, Archives specialist: Marta Sironi, Assistant editor & archives research: Enea Bigatti, Editorial Design: Marco Crivellaro.

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Les Pommes

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Les Pommes is one of the thirteen books of Cluster exhibition, designed in 2017 in collaboration with the photographer Bea De Giacomo. Her delicate portraits and still life compose micro visual narratives, alternating in the chapters of the book.

 

→ Urbino, 2017

Photo Bea De Giacomo, book design w/ Valeria Pugliese, Supervisor Francesco Valtolina

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Movement in the terrestrial realm requires forces

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This photographic journey through nature involves extracting elements from their natural context: leaves, branches, and flowers. These components underwent a process of scanning, photocopying, and enlargement, revealing intriguing shapes and geometries. The book culminates in a return to nature with a fresh perspective, offering a liberated interpretation of the inherent geometry found within natural elements.

 

→ Urbino, 2018

A project supervised by Mario Cresci at ISIA Urbino

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Fūror

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Fūror mess up the structures of the museum through subtraction of the elements from their context. Humans being collect and catalog with very precise structures, however, the structures are cultural preconceptions that do not exist in Furor. Knowledge must be non-hierarchical and non-institutional, it is relative. Through the indexing of the photographs taken by Luca Capuano, clear mapping of the provincial museums and their collections is created. At the same time, the fluid structure of the photographic sequence and the absence of categorization makes the book an instrument for the free association of concepts, spaces and times.

 

→ Urbino, 2018

Project supervised by Mauro Bubbico, designed with Vito Battista, Nicolò Oriani, Matteo Palù and Valeria Pugliese at ISIA Urbino